On the last day of 2017 I went to see the Latest Star Wars the Last Jedi for the third time since it came out this month – it still stacks up. Before this I had seen the Last Jedi at midnight on the day it was released, which was shown as a double bill following the Force Awakens; that makes the second time I had seen Episode VII, too. In preparation for this I had watched the original trilogy a couple of days before. Then I decided to watch the latest for the second time the following Sunday. To follow these I then watched the prequel trilogy, too, and then at the close of twenty seventeen I decided to round the year off with a third viewing of Episode VIII. Simply terrific still!
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Monday, 1 January 2018
Wednesday, 1 November 2017
Rest in Peace LOVEFiLM by Post
This marks the sad passing of LOVEFiLM by Post
I was just looking through my previously rented discs with a heavy heart, I have accrued 200 films and TV series since 2011 and all that has now ended. I will remember fondly, those little, red envelopes – of ingenious design – falling on to the mat, and my heart is saddened for the passing of such a delightful time.
May LOVEFiLM rest in peace.
Wednesday, 4 November 2015
Cowboy Bebop: Awesome Action in only Twenty-Four Minutes
Game of Thrones and Homeland do it in 55 minutes, Firefly and Dr Who in 45 minutes, the episodes of Cowboy Bebop tell their stories in little under half an hour: 24 minutes to be precise. Its stories are wonderfully short and sweet, a brief and vivid slice of beautifully drawn life, and a quite delightfully spirited piece of animation.
In twenty-four minutes this television show tells a story packed full of action and adventure, humour, drama, intrigue and some romance. It does what longer films do but in less time, and with a lot less fuss; its brevity is brilliant! It is an astonishingly different and refreshingly irreverent show. It has a unique visual style, exciting theme music and pace.
The show’s titles are bold, and striking to behold, with a lively, energetic bebop-like jazz theme, which always fills me with excitement and anticipation of the episode to come. The ending theme wound down the episode and left me ready for the next one.
The show has quite an orthographic, technical style to its drawing, which suits its science fiction world to no end. The worlds themselves were always well realised, with great clarity, brilliant colour and an attention to detail that betrays a keen eye for observation in its animators. The characters are depicted in highly contrasting darks and lights especially for the titles where they are overlaid on vivid colours. Shown at quite a pace, these titles evoke the pace to come.
The regular cast are well drawn in line as well as in character. They all seem like individuals with nimble wits and sharp tongues and minds. The scenarios are all well conceived, nice and accurate, and precisely plotted to reveal just what was wanted and needed, but no more nor no less.
A thoroughly enjoyable, exciting, engaging and intriguing series of short films (as television is) all told in 24 mins. Superb.
Monday, 9 February 2015
Sword Art Online
Finished Sword Art Online: a quite beautiful, vivid and colourful world. It has an interesting premise that serves the story well, creating a brilliant fantasy world and one that is truly tense at times. It is a very good Japanese animated television show. It does go at quite a pace, but has moments of calm and thoughtfulness. There are a lot of surprises and unexpected moments in the plot and narrative, which kept me gripped.
The title sequence and theme tune always got the blood pumping, lifted the spirit to another realm and set the mood for the show very well. The end credits had a very intriguing song — according to the subtitles, which nicely wound down the episode. The art of the title and credit sequences are very well done.
The world of Aincrad was realised wonderfully with a well drawn, painted and animated environment and setting. The places visualised were colourful and vivid, a treat for the eyes. There was an interesting treatment of the game-play graphics which popped up at times appropriate to the story: when the story had them duelling players and bosses.
There was a story there that was engaging, with drama, action, some tragedy and humour. The story was about people getting trapped in a Massively Multiplayer Online Role Playing Game: an interesting, but potentially exclusive, premise. Yet it makes good use of the video games culture of its characters, and explains well, to the slightly-initiated, and potentially uninitiated, audience alike, making the hidden world of gaming more accessible in service to the story. It never felt like it was trying to be a game, or that the viewer was watching others playing a game. It was just the story of some people trapped and living their lives in a game, told well and with respect for the characters and their lives.
Thursday, 31 July 2014
Wednesday, 30 July 2014
A Welcome Return: Dead Ringers II
On Wednesday 30th July 2014 at 1830 Dead Ringers returned to radio 4, with all the wit, sillyness and funny impersonations of when it first aired; it must have been the late 1990s or early 2000s when Radio 4 first broadcast it, then it stopped for a while: but now its back!
This was the first half-past six Radio 4 comedy that I can remember listening to, and enjoying. I loved the impersonation of Tony Blair, the way he would narrate his appearance as he spoke; and the impersonation of Tom Baker as Doctor Who and the phone calls he made to unsuspecting members of the public.
It is a blast from the past with fresh content in a familiar format, with all the old favourites (and some new); I can hardly wait to listen to the next one.